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18 UMMA Objects
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Olitski has covered nearly the entire canvas in the same grey acrylic using a spray gun.  On the right side of the canvas, there is a group of vertical lines in red, blue, and white. 
Jules Olitski (American (North American))
Absalom Passage—18
1973
Purchase made possible by the generosity of Dr. and Mrs. Joseph A. Gosman
1973/2.82
A photograph of a single tree in a dust storm. The image is comprised of yellow hues. 
Pete Turner (American (North American))
Dust Storm
1970
Gift of Selma and Gerald Lotenberg
2004/2.131.2
A photograph of exterior walls. A doorway is visible in the top right of the image, with a large open gateway below. In the lower left of the frame, a pigeon is silhouetted against the gateway. The monochrome photograph has a flattened depth of field.
Pete Turner (American (North American))
Doorway to Nowhere
1963
Gift of Selma and Gerald Lotenberg
2004/2.131.7
An earthenware sancai three-color glazed figure of a man wearing a long green robe and tall black hat. He is carrying an amber-glazed rectangular box over the top of an amber-glazed tasseled sash that covers his hands, and is standing on a green- and amber-glazed octagonal dais. His face is painted in polychrome mineral pigments, and his head was sculpted separately from the body.
Chinese (Chinese (culture or style))
Male Attendant
1368 – 1644
Gift of Jiu-Hwa Lo Upshur
2009/2.105A&B
A color photograph of a street, predominantly in blue tones, taken from a high vantage point. A road leads down a hill, buildings visible along the left side of the street. A woman in black walks in the center of the frame, appearing small next to the architecture. 
Pete Turner (American (North American))
Ibiza Woman
1961
Gift of Selma and Gerald Lotenberg
2004/2.131.1
A photograph of blue walls. The framing of the image emphasizes the geometric planes, texture, and color of the walls.
Pete Turner (American (North American))
Blue Walls & Light
2002
Gift of Selma and Gerald Lotenberg
2004/2.131.6
An abstract print of a royal blue background with white rectangle framing a green blob, and yellow stripe. It is printed on heavy-weight off-white paper.
Helen Frankenthaler;Tanglewood Press (American (North American))
Air Frame
1965
Gift of Stephen M. Taylor
1987/1.183
This earthenware sancai-glazed figure of a male attendant is standing on an octagonal cream and green dais, wearing a long green tunic over an amber-colored underrobe, with amber and green sleeves, carrying an amber-glazed bowl. His hair, hat and face are painted with polychrome mineral pigments, and his tall hat painted to match his garments in an orange-amber color. The head has been sculpted and painted separately from the body.
Chinese (Chinese (culture or style))
Male Attendant
1368 – 1644
Gift of Jiu-Hwa Lo Upshur
2009/2.106A&B
A ceramic funerary sculpture in the shape of a small green sitting bird.
Chinese (Chinese (culture or style))
Small Bird
618 – 906
Gift of Toshiko Ogita in memory of Tomoo Ogita
1987/1.288
An earthenware female figure with three-color polychrome glazes, wearing a green tunic over a long amber skirt, green trousers and boots on a platform, carrying a round box, her hair pulled up in a top-knot and her face painted with polychrome mineral pigments. 
Chinese (Chinese (culture or style))
Female Figure
1368 – 1644
Gift of Domino's Pizza, Inc.
1993/1.107
A set of five polychrome glazed male attendants carrying a sedan chair (2001/2.276).  One leads the procession while four carry the chair, all are on a platform. The leader is dressed in long green robes, and is carrying a rectangular box in front of him.  His hands are covered with a tassled scarf, and he is wearing a tall black hat.  His face is painted in polychrome mineral pigments.  The four attendants mirror each other: two on each side, their inside hands holding the sedan, outside hands at their sides, wearing long green robes and tall conical black hats. Their faces are painted with mineral pigments.
Chinese (Chinese (culture or style))
Five Attendants
1368 – 1644
Gift of Jiu-Hwa Lo Upshur
2008/2.275.1-5
An earthenware polychrome glazed figure of a horse and rider.  The amber-colored horse has a green mane and black taill and is standing on all fours on a platform.  It has large eyes and a full saddle and reigns.  The male rider is dressed in long green robes with long sleeves, a tall black hat, and the face is painted in mineral pigments. 
Chinese (Chinese (culture or style))
Horse and Rider
1368 – 1644
Gift of Jiu-Hwa Lo Upshur
2008/2.274
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